Wednesday, March 28, 2018

Sepia Saturday 412: Paula and Pip



Our Sepia Saturday theme this week is a real beauty - incorporating travel, luggage, dogs and competitions. You could also include curtains, tables, and decapitated hands (if that is not a contradiction in terms). 

My closest match this week features my sister-in-law Paula with her dog Pip. Pip wins prizes at dog shows. Paula was a winner in 2017 for her newsletter for the dog club. They’re quite a pair.
Pip and her older sibling Min. So, it’s not a suitcase like the prompt photo but the dogs are in an unexpected place. If Paula did take a suitcase out of the closet, I’d bet the two dogs would be right there.

Here's a couple more photos of Anne Finlayson, beauty queen. She's wearing a fur stole in the photo below. 

This may be my favorite photo of the PNE exhibition where Anne was named Miss PNE. They all have almost identical dresses from the back. All were the same dyeable pumps (I think). The photo, like of life at that time, was dominated by a man crossing the stage. A metaphor, of sorts. 

 It's been a sad week around here thinking about my good friend Valdyn Jonina Anderson who died of cancer after a long illness. I always think of her frozen in time at 17 or so as one of our high school cheerleaders.  May she rest in peace. 

And finally Pip, truly a beauty in her dog show categories. She doesn't need a fur stole or a crown to look regal and like a winner. 

Check out Sepia Saturday for more interpretation of this week's theme. 

Wednesday, March 21, 2018

Sepia Saturday #411: The Sad Bride


Like the other Sepia Saturday theme images for March, the theme image for Sepia Saturday 411 comes from the Flickr Commons stream of the Vancouver Public Library. This 1928 photograph of Florence Timms might put you in mind of weddings and brides, and flowers and ... whatever you can come up with.

This week I looked at the photo of the bride and saw sadness and tension. I hope Florence was happy on her wedding day, but it doesn't show in her face. I made up a little scenario to fit the photo. My apologies to Florence wherever she may be (I couldn't find her on Google)  and I hope her wedding was a happy event.

“Any word yet?” asked the bride. 

“No dear. But don’t worry,” said Aggie, her mother, straightening the scalloped hem of her daughter’s dress. “They’ll be here soon.” She tried to keep her tone light and positive, but inwardly she was losing hope. The scalloped dress hem mirrored the course of her daughter’s relationship with Charles—up and down, down and up, on and off like a roller coaster ride.

“Come on sweetheart. Let’s have a little smile,“ said the photographer. “Try to relax!”

Sandra, sister of the bride, looked at her watch again. The two bridesmaids were beginning to sweat. It was 2:59 and the ceremony was to begin at 3:00.

The bride shifted in the seat and licked her lips. She wondered why the photographer had set the chair on a piece of carpet. It was unsteady and she was uneasy, like she could tip over with the slightest wrong move. As if she wasn't nervous enough!

She pulled her feet close together, squared her shoulders and clutched the bouquet to her chest. Maybe he's not going to show up. And maybe it would be for the best, she thought. After all, she was a modern woman and it was 1928. Charles wanted her to resign her beloved nursing job to stay home and keep house. They'd argued and argued over this. It wasn't the only on-going disagreement they had.  

In these modern times could she be happy living as a single, independent woman?

But, left at the altar, would be a terrible humiliation! She’d be a reject. Her lip trembled. Should she get up, throw the bouquet aside and walk out—be the one who left, and not the one left-over and betrayed? While she thought over her options, she looked up and into the camera.

And from my own cigar-box of family photos, my husband's beloved aunt Frankie's wedding, about the same vintage as our prompt photo today. Unlike Florence, Frankie was a happy, smiling bride. On the extreme left is Frankie's sister Lorraine. My mother-in-law, Patti is on Frankie's right. The women all hold elaborate bouquets, each one different. Frankie's husband was a musician who worked in various LA studios writing music for films. I don't know who his best man was. 

Check out Sepia Saturday for more interpretations of this week's interesting photo prompt. 

Saturday, March 17, 2018

Sepia Saturday 410. Umbrellas and Rainy Days


My umbrella memories are mostly happy. I'm sticking with happiness even though the photo prompt recalls a horrible time in our past. 

In Switzerland with friends. we'd been eating for days -fondues and raclette. It was wonderful but we were stuffed like geese ready to be converted into foie gras. 

Saris, steps, umbrellas and rain. It was very hot and humid near Madurai in S. India. We welcomed the drop of a few degrees in temperature. I think you can feel a vibe in this photo that's far from a "rainy day" mood. People were cheerful and nobody was running out of the drizzle. I think they, like us, were enjoying it.

 I added the rain using Lunapic. 

 This is a watery effect and a crop.

Lunapic is like a time-sucking trap for me. There are hundreds of effects available and they're easy to try and discard. I can spend an hour or two with a single photo. Last one--a reflection. 

This beautiful, moody photo came around on Facebook without attribution. 

 It was boiling hot in Jodhpur on this particular day. We climbed up several many staircases to reach this viewpoint. I was gasping in the background taking the photo. Richard, part mountain goat, wasn't even breathing heavily.
Last, my favorite of all umbrellas, the Indonesian variety. And my favorite Bali villa in Srinigar, a heavenly place to stay for a while. 

Check out Sepia Saturday for more stories. 

Thursday, March 01, 2018

Sepia Saturday #408: Paperboys

The prompt this week is a fine group photograph from the 1920s of "caddies at Shaughnessy Golf Club". 

My dad was about twelve in this photo of the paperboys for the Winnipeg Free Press, Winnipeg, Manitoba, Canada. The paper was delivered around 5:00 pm, after school was out for the boys.  Most of them pulled their papers in sleds during the winter, although I think my Dad carried a pouch. There wasn't any extra money in their household for such an extravagance as a sled. They'd recently moved from the farm in Ontario west to Winnipeg. Fortunately, jobs were plentiful and the whole family went to work.

Having the paper delivery job was a rite of passage for boys for decades. My husband delivered papers on his bicycle in S. California in the fifties. They learned about responsibility, being on time, customer service, negotiating and working as a team.

I took a little editorial liberty and added snow to the photo via Lunapic. The scene looks like January or February to me–just a wild guess. I know it was cold, very cold and the boys would not have lingered on their butts in the snow for the photographer - he must have been good and he must have been fast. You had to keep moving in that climate in the winter.

And the final shot is how the scene would be photographed today, about 107 years later.

"What's a paperboy?" I can hear my great grand nieces and nephews asking.

My Dad is the lad at the top of this cropped-out photo. The dog isn't his but they look like they belong together. When I used this picture for another Sepia Saturday prompt, people remarked that Dad looked like a girl. He would have cringed to hear it but I have to agree. He's almost pretty in this shot. He morphed into a good-looking man. The prettiness evaporated when puberty set in. 

Newsies, the musical, is set in 1899, the year my father was born. It's still being staged here and there, and Disney's made a movie of it. The starring roles are Crutchie, Race, Specs, Finch and Spot. Those names. No kidding. They don't seem PC enough for Disney today.  I'm an old fuddy-duddy now, stuck living in the past where characters had to have believable PC names like Sky Masterson, Nicely-Nicely Johnson and Harry the Horse. Well, maybe Harry the Horse was a little cruel. 

The little bit I've seen of the show on Youtube seems unbearably corny with hackneyed music (is it me? or do all these show songs sound alike) and banal themes, but it's won several awards. 

Join the crowd and visit Sepia Saturday for more interpretations of this week's theme. 

Monday, February 19, 2018

Sepia Saturday 407: Biking

This is my favorite photo of myself and my bike. I was ten years old and soaking up every moment of summer sunshine. My right cheek is all puffed out like a chipmunks. I probably had a wad of Dubble Bubble on one side. I loved blowing bubbles, and adored the little wax-paper comics the gum was wrapped in. 

I'm guessing the year to be 1952 or 1953. We were diving under our desks during emergency drills—Duck and Cover.  Atomic explosions must have been on everybody's minds. How innocent we (or the Fleer Corp.) were, comparing such an event with the sound of gum bubbles popping. Kids have a different reaction today in the classroom when they hear a "Pop" and a "Bang."

In this photo, my nephew, just like a typical little boy, sits backwards on his tricycle. No doubt he was bored with riding it facing front. Behind him, our vegetable garden is in full force. I'd say it was a hot August day and if I could magnify the photo enough, you'd probably see mosquitos bites all over his little torso. He was a towhead at that age, curious and smart. Somehow he managed to look happy and worried at the same. How can you smile and bite your lip simultaneously?

A Google photo search through my thousands of travel photos turned up this interesting pair and their bike in Sri Lanka. There might have been a spat, the way they are turned away from each other.

"I told you to turn right there," the cat said, hissing every word for emphasis.
"You didn't tell me until it was too late!" replied the monkey, looking defeated.
"Look—I try my best, but it's hard to hang on and handle the map," said the cat, turning away.
"Use your tail, for God's sake! You never take advantage of that thing, just letting it hang there or waving it around when you're irritated. If I did that I'd have been dead years ago."

Pedal over to Sepia Saturday for more nostalgia about biking. 

Saturday, February 10, 2018

Sepia Saturday #405: Couples

SEPIA SATURDAY 405 : Saturday 10 February 2018

Couples are our theme this week on Sepia Saturday and our prompt image shows John Henry Nicholson and his wife Anna. All you need to do is to share an old photograph which links in some convoluted way or another with this theme. Post your post on or around Saturday 10th February 2018 and add a link to the list below.

I cut through Old Town in Temecula the other day and saw a parking space, right on Main Street. A rare occasion, I took advantage and pulled in. Ah, happiness—I was right in front of the big Antique mall. 

Here and there, scattered among the booths, I found baskets of postcards or photos. Two photos worked for the theme this week.

The first falls under the "couples" category. The title reads "A Man's Busy Day." 
 She's busy with her typewriter, trying to ignore him. 

A bit racy I thought for 1909. In the context of current times, does he look a bit too eager? You might ask if she's whispering to herself, "Me too." The card was mailed from Marshall, Minnesota to Miss Luva Flinn, Gary, South Dakota. 

When I googled Gary S.D., I found this mention of Luva in a memoir posted on the town's website. She married Doctor Fonger who is likely the author of the postcard. He mentions state examinations, which were probably for a medical license.

Gary’s Doctors- Sometimes we had two doctors in town at the same time.  Some who were here were: Dr. McPeek, who lived where Mike Miller now lives; Dr. Martin, who lived in the Ralph Harkins house; Dr. Fonger who lived where the Standard Station now is; he married Luva Flinn.  Dr Pinard lived in the Carter house, and then he built the Steele house. 
Ed Spanton had a livery barn where Pete Hanson now lives.  The barn was built so doctors and mailmen could keep their horses there to make calls and run routes.  The doctors had to take produce many times for their pay.

Fonger Drug- built by Mr. Fonger, Sr.  This is now the Senior Citizen’s building.  The Fonger’s had one child, a son, Jim.  He left for medical school, came back, and practiced in Gary.  At one time there was a hospital upstairs over where they lived.  We loved to look at Mrs. Fonger’s gray curls which hung down her back when we passed their house on our way to school.  W.J. Rowland worked in the drug store when he first came to Gary.   

Gary's population in 1909 was approximately 227. Today it is 477, according to the 2010 census. From the website, I gather the community has no shortage of self-esteem:  

Gary is a small community (population under 250) with a big personality.  It is known far and wide in this area as the place you go to relax and have a good time.  It is also one of the few small towns in the Midwest that continues to thrive despite the adversities plaguing some small towns today.
Gary and its immediate surroundings provide many diverse businesses with people just as diverse.  From farming and ranching to trucking and wind generators - you'll find it in Gary.  As for entertainment opportunities in the area, you'll find access to lakes for water fun and fishing, as well as plenty of game for hunting.  Wintertime brings snowmobile fun with miles and miles of groomed trails to roam.  If it's peace and quiet you hope to attain, you can find that here too.  Gary has a third of July celebration that beats all with children's events, a horse pull, tractor pull and volunteer firemen water fights.
The Gate City to the West still provides some of that old "cow town" activity as well.  Certain times of year you'll see cattle drives down the streets of town, as well as a couple of rodeos in the area and trail rides for the horse lover.
Whatever you're looking for you're likely to find it in Gary, SD.  The small town with the big personality.

I grew up in Manitoba where the terrain is similar to Gary and was probably treeless in the mid-nineteenth century. I've never heard of the Stanley Tree Claim—here's an interesting description of how it worked. 

            It was an unforgettable day, a lesson that impressed the settlers with the importance of planting trees, and why the government had enacted what was called the "tree-claim act"-which permitted all citizens to acquire 160 acres of government land by planting ten acres of trees, cultivating and properly caring for them for a period of five years. They had to be planted in rows four feet apart. Within a few years (and those were favorable seasons, with plenty of moisture) that broad expanse of Dakota prairie was dotted with groves four and five feet high-although there were many poorly planted and badly cared for-like the crops planted by many at that time.
            On father's tree claim, the second year after the sod had been broken, we planted one-year-old seedling trees from our own nursery, consisting of walnut, butternut, elm and ash. They were tiny things, but healthy, six or eight inches high, and were planted by sticking a sharp pointed rod of iron about one inch in diameter into the ground, making a hole into which the roots of the little trees were sunk a few inches, pressing the soil about them with the foot. Thus our ten acres were carefully planted, a tedious job for we chil­dren in our teens. Between each row of trees a row of corn was planted and the lot was faithfully cultivated one way, growing a good crop of corn, the trees also growing marvelously, reaching a height of two feet the first year, nearly every tree living.
            Those trees continued to thrive for the five years, when "final proof" was made and the government gave its deed to the 160 acres. The Stanley tree claim, before I left the place after living there eight years, was rather a conspicu­ous spot in that prairie region. During that first year (1879) on the (homestead) farm additional acres of native sod were turned over and planted to crops, wheat, oats, barley, corn and flax, most of which proved profitable.  However, in those early days of cultivating the native soil corn did not do very well-the pioneers concluding that "way out there" it was too cold for successfully growing corn. However, that notion was wrong, for later it proved to be a profitable crop to raise.

What an incentive to move to the area! Meanwhile, in Canada, the government was competing with the U.S. for immigrants and also offering free160 acres. 

The second couple's photo was taken at the Hutchison studio in Lincoln, Kansas. I'm guessing she was toothless or had extractions and dentures too late to prevent her gums from collapsing and her mouth from puckering. Under that beard, it looks like he may be suffering from the same condition. Uh oh-now that I've examined the photo more closely, I realize this could be a sister and brother, a couple of siblings. 

The man bears some resemblance to Robin Williams.

George Hutchison was the photographer. He worked between 1895 and 1910 in Lincoln, Kansas. As of the 1920 census, he worked as the county register of deeds and finally, as an abstractor. I had to look up the profession of abstractor and discovered that I did this job, basically title searching, for my lawyer father for one or two summers during school. From Wiki:

An abstractor of title is a person who prepares and certifies the condensed history (known as an abstract of title) of the ownership of a particular parcel of real estate, consisting of a summary of the original grant and all subsequent conveyances and encumbrances affecting the property.

Finally, I offer a romantic photo (for Valentine's day) of my husband and me in December in the Botanical garden in Durban, South Africa posing under the "Kissing Tree."

Here's a photo of the tree alone from a different angle, where you can get the tree kiss more clearly.

For a couple more stories, check out Sepia Saturday.

Tuesday, February 06, 2018

Consigned to Oblivion

Anyone know a word to describe "things left in books?"

Searching online I  found Forgotten Bookmarks — a book by Michael Popek. He's also compiled Hand Written Recipes, a collection of recipes found in used books and recipe books.

I like the term "Consigned to Oblivion" although the official definitions of the expression are too dark and ominous for the items we find at the Bottom Shelf bookstore in our donated material. This week, there was a sink plug in the Found Things envelope. A sink plug!! Was someone going down the drain? I used to pack a sink plug when traveling in Europe back in the old days when it was useful. Cheap hotels rarely gave you a plug and it's surprising how much you miss such a simple convenience. I wonder if that's how this particular plug turned into a bookmark?

Other items we liked: A flyer from Himelhoch's department store (Grosse Ile, Michigan) which features 50's vintage L'Aiglon dresses. Although I never owned one of them, my sister had one similar in style.

Note the man's arm supporting the model. Holding her up? Holding her back?

Remember the dyed-to-match shoes? I've never gotten over it and still look for shoes to match an outfit.

When I googled the brand, I found this on

L’Aiglon was founded in 1919 in Philadelphia as part of Biberman Brothers, Inc. The company’s original label read “Biberman Make” but changed in 1919 to “L’Aiglon”. On those early labels you will find “Biberman Make” in small letters. Biberman Make dresses were “wash dresses”, or washable. “Tubable” was the word of the era. Biberman also made bathrobes and uniforms for maids and nurses.
Its founder, Joseph Biberman, committed suicide in 1933 as a result of financial difficulties during the Great Depression. The company, however, survived, and continued to make inexpensive but stylish and attractive dresses for women and juniors. During the 1950s, L’Aiglon dresses were used as costumes on the soap opera, The Edge of Night. The company produced dresses until about 1968.

Written by Lizzie Bramlett,

Another item I liked is this Photo Booth strip—so fresh and innocent compared to the studied selfies we see daily on Instagram and Facebook. These two were simply having a good time. 
Would you use your Certificate of Citizenship as a book mark?

The postal air mail service flew five times a days in 1937. The spelling error "indorsement" suggests that proof readers were no better then than now. But maybe "indorsement" was the intended word and not endorsement. Even then I doubt "ounce" and "anywhere" should have been capitalized.

And finally, how about this Polaroid shot dated October 1965? The boy would be about 67 now. I wonder if the photo was hiding in the book for all those years?